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March of The Mods News & Reviews September 2009 04/09/09
- It has just been confirmed that 'Enzo Espositos latest band 'The 5:16's
will be joining Wellalive for the last show of the year at the Camberley
Theatre on 23rd October. July 2009 01/07/09 - Johnny was on Radio 2 speaking to Ken Bruce. Follow this link to hear the show. June 2009 Johnny appeared on Hayes FM in an interview about Mods, Paul Weller and the March of The Mods Tour. Full interview will be posted here soon. May 2009 The March of the Mods Tour (Two Faces) was featured in the May edition of Scootering Magazine in a full page spread. Great Review January 2009 The MoTM stage show has started. The first show was at the Playhouse Theatre in Harlow, Essex. It was received with a lot of enthusiasm and the audience responded with a standing ovation.
This is what the Herts and Essex Observer had to say REVIEW
- March of the Mods, The Playhouse, Harlow Somewhat
snobbishly, I've always avoided tribute acts. The very concept leaves
me cold. This was the first date in the March Of The Mods tour, which brings together the Small Fakers and Wellalive on one stage in a tribute to the finest music the suit-and-scooter brigade had to offer across several decades. The show was introduced by Chip Hakwes of The Tremeloes (and dad of Chesney, fact fans) who shared the bill with Steve Marriott and co several times in the 1960s - and he gave a ringing endorsement to the Fakers, who effortlessly reproduced the iconic '60s sound of the Small Faces in two-and-a-half minute blasts of tight musicianship. Recreating the look and sound of Marriott, one of the finest voices in British pop history, is a tall order but Fakers frontman Matt was up to the task. In fact, from row M it was downright spooky. Wellalive, in keeping with the Jam's punkier late '70s leanings, were more ragged but no less accomplished. Charismatic singer Johnny had Paul Weller's vocal nuances down to a tee, especially when ripping through a pre-interval set of Jam classics before moving on to his Style Council and solo material. The
stage set-up - in which one band sat and nodded while the other performed
- proved slightly distracting until it was vindicated in an encore in
which all the players came together for an exhilarating rendition of the
Small Faces' All or Nothing. Alex Day |
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